Dinagyang: An Amateur Photographer’s Challenge

How about Dinagyang in the amateur photographer’s perspective? Iloilo’s annual grand festival draw large crowds from different parts of the country and the world, especially those who are armed with lenses called cameras—DSLR or point-and-shoot ones. While it may be similar to just taking photos of the Ati warriors in Kalibo, Dinagyang’s dynamics in photography are way different. Though known for its fast paced choreography and a season known to give various lighting conditions and colourful costumes, photographers, both amateur and even professional, takes this festival seriously amongst the heat and beat of the drums.

Dinagyang Festival in Iloilo itself is an offshoot of Kalibo’s Ati-Atihan. Soot or black/dark brown painted people with outrageous costumes while stomping their feet at the beat of the drums, dedicate the festivity to Senor Santo Nino. As year goes by, Dinagyang evolved from the simple drum beat and street parade to a spectator theatrical dance showdown that may rival Broadway plays and Las Vegas shows in terms of production. From the once simple stomping of feet, Dinagyang’s dance became the aggressive, action-filled and fast-paced movements which became its own trademark and became known to the country as an “excellent merger of folk choreography.”

With that, photographers took the challenge of getting the best shot of the drama. I’m writing this as an amateur photographer and on personal experience, who doesn’t have that much knowledge on aperture, lens, and other photography technicalities. This is to encourage our budding amateur photographers to take up the challenge and shoot like how the pros do.

From stages…

While most photographers can get great shots of emotion and action on the streets in other Philippine fiestas, such as MassKara, Sinulog or Ati-Atihan, Dinagyang’s fiery emotion comes out in the performance areas or the traditional four stages in its three kilometer route. It is here where the contingents or tribes become furious with their choreography and interpretative dance.

It is here where the best facial expressions, emotions, actions, and the best pattern shots may be seen from the different Ati competing tribes.

Try getting a photo with this choreography (Youtube clips by Trigo926):

and this

To emerging patterns of Dinagyang

For the past few years, the contingents focused all their energy and drama for the performance stages. It was also recently that street dancing was incorporated in the festivity (once more) to add up more revelry and so as not to lose its origins. Hence, not that much fanfare or actions on the streets as compared to that witnessed in the performance areas.

…to streets

For starters and those who don’t like the action (or those who are still not confident on taking up the fast-paced action at the stages), streets are still the best areas to take a shot of these tribes’ performances amidst the festive mood of the city. Since choreography here is repetitive, it is a nice place for first timers and budding photo enthusiasts.

My comment though that I wish the organizers would increase the importance of street dancing once again. After all, Dinagyang came from the streets. Also, this is to accommodate those who seek revelry in public spaces. It brings the festive cheer to the city and at the same time artistry that Ilonggos are known for.

It is also in the streets where you can get the sidelights and side stories of the festivity. For some photographers, this is where we get te most artistic to the most socially-relevant photos. Realistic and non-theatrical, the street shots define the real character of Iloilo City’s streets during the festivities varying from subjects: from families and friends enjoying, food and party scene, to the nomad urban Ati people who dwell under the city’s overpasses.

In Dinagyang, the drama is not just at the performance areas, but also in the streets as well. It is here where the true tone, hue and color of the festivities come out.

The preparation

Speaking of the streets, a few hours before the program starts, the best time to catch up the “freshest” Ati (fresh, referring to freshly paint and costumes still in optimal conditions) portraits. Since they haven’t danced and most of them are just rehearsing or waiting, it is the greatest time to take a stationary Ati portrait or their activities during preparation.

Never blink…

When in performance, depending on your subject for the art, Dinagyang is challenging. With so much happening in just a few seconds of their dance, you would really have to focus on one subject or another. If you like to change subject, change immediately. Don’t blink, since you may miss the best moves and emotions. The unpredictability of Dinagyang choreography has what challenged photographers for years.

I’ve read recently about George Tapan’s tips on festival photography in Mabuhay Magazine and he said, “Anticipate the movements.” For regular parokyanos of the feast, they may look used to it but they are also challenged since movements vary year to year. It’s more of a “baptism” for first time amateur photographers who like to have all the action.

Movement is everything in Dinagyang, hence depending on lighting; you may have blurry shots and unfocused subjects. As reiterated, focus, anticipation and attention are your key tools in getting your best shot. Although sometimes, the most imperfect shot you thought could be a gem for the critics and other people.

Patterns, facial expressions, and outstanding or extraordinary features are the things that every photographer would like to get in such intense energy the dances and colors are showing during performances.

And see their faces…

Recently, facial expressions in dance explain the emotion of anger, sorrow, ecstasy and trance of an Ati warrior-dancer. A lot of photographers like to get that perfect facial shot that gives such outpouring emotions and energy…and it is indeed a camera’s eye-candy.

Yet since they move fast, if you like to get it, focus on one subject quickly. Get the best warrior that expresses his or her facial expressions. The more intense, the better.

The lights…

Lighting is an essence when getting the best shot. Since January gives an unpredictable mood with the weather and the program spans from early morning to mid-afternoon, it may create varying effects on your subject in Dinagyang. Take it as a challenge and get the best out of it.

If you are a DLSR user, take the best lens you got and adjust it with the right aperture or distance.

If you are a point-and-shoot user, focus on your angling and avoid going against the light. Change your position and make the best out of your limited options.

…and the Bureaucracy

As much as I don’t like to write about this but I hope we can take this constructively. For photography enthusiasts and bloggers who don’t belong to any organization, Dinagyang is a challenge of patience. It was quite recent when the organizers have imposed a fee for those who like to have access to the performance areas, a practice also being done other fiestas such as Sinulog, MassKara and Kadayawan. However, getting these and the approval can take some time. Release of passes are not immediate (unlike in Sinulog), and changes in policy may vary within a week or so. Also, the IDs share the same label or called “media passes.” You have an unsure feeling, especially those who came from outside of Iloilo or are unaffiliated.

I hope that by next year, it will be all smooth flowing and organized—flatten out policies and create agreements with different sectors involved, as so that it can attract more photo enthusiasts who some (or most) of them promote the beauty and dynamism of Dinagyang and Philippine tourism. The good thing though is that the organizers have announced the opening of application for passes on the internet, especially social media platforms-now easier for people who would like to apply for such, especially out-of-town photographers and bloggers.

Yet for those who like to keep things simple, the street performances are free for all and hassle free as well. Hence, my wish that they focus also on “free show” at the city streets.

In Iloilo Sports Complex

In fairness for Iloilo Sports Complex, it’s a huge area for performance. Free flowing air and fresher atmosphere are invigorating, as compared to the crowded Freedom Grandstand and other stages. While a lot thought that it was against the light and far from the performance, it was actually different. Since Dinagyang was on “parade mode,” unlike the synchronized carousel route of the past, the contingents came in late morning. Sunlight was already high and clouds provide a bit of a cover—but not from harsh lighting. Iloilo Sports Complex has AIR-CONtinuous accommodation for everybody!

Photographers sit more comfortably here and more spacious. There was almost no competition on the best area for taking photos and shading was no problem since it was already heading towards the afternoon.

I’d still go for Iloilo Sports Complex for succeeding performances for Dinagyang. Not only has it accommodated visitors who were once deprived of the limited capacity of performance area seats, but also a fresher area for photography enthusiasts.

From the lens to the world…

While photographers take Dinagyang as something to be part of their collection or to sharpen their skills in photography, it has also become a vehicle of promotion of the said festival to the world. Some post it on social networking sites and published on different magazines and books. Let us just be aware though of certain risks of posting these, especially on the issue of intellectual property. Let us practice some measures such as placing watermarks and lowering the resolution of your jpeg output or resizing your photo. That depends on how you treat these works of art you have, yet it is better if we can share some to the world.

With different colours and emotions coming out from a simple photo, it sparks curiosity to those who haven’t been here—that indeed it is more fun here in the Philippines! Dinagyang is one amazing fiesta for photography—of drama, of tests, of limited resources and coming out with the best things out of the challenge—creativity and ingenuity, the marks of a true photographer and craftsman.

Again, I’m no professional photographer; I am just speaking from experience, and sharing it to all who likes to take up the challenge in the years to come. I say, it’s all worth it!